"Influx" is an ongoing series where I explore the intersection of geometric modeling, mathematical origami, and computational design, using mesh to challenge the traditional confines of paper folding techniques. Inspired by the precision of "folded annulus with multiple creases," these sculptures are my homage to the natural and mathematical patterns that orchestrate biological growth. They emerge as three-dimensional interpretations of developable surfaces, where calculated curvature and torsion dialogue with the art of folding and cast intricate shadows.
As viewers encounter "Influx," they are drawn into a landscape of intersecting lines and threaded paths that trace my sculpture's folds, guiding them through its topology. Though static, they suggest motion, swaying gently, their forms appearing to dance and fold into themselves. This series merges classic origami techniques with computational methods, creating a collection where mathematical precision is expressed through the fluidity of material and light.
What started as an experimental exploration of folds and shadows quickly became a journey of unexpected evolution. As I experimented with various materials, pushing the limits of possibilities, the series was shaped as much by happy accidents and 'aha' moments as by the final forms themselves. Drawing inspiration from the traditional charm of Japanese origami and the innovative spirits of Irene Schawinsky and Erik and Martin Demaine, I'm stitching together a narrative that is part history, part modern-day enchantment.
Adhering to strict angles and folds, I've discovered that the materials ultimately have the final say. This process of trial, and oh so many errors, leads to surprising revelations. It embodies the Zen art of folding but with a twist—a relaxed, hands-on approach where each piece brings its own discovery. And that's where the flow is.
Through "Influx," I aspire to transcend conventional boundaries, connecting advanced computational techniques with the ancient practice of origami. This fusion of art and science, where mathematical rigor informs artistic expression, invites viewers into a space pulsating with tension and dynamism, encouraging contemplation of the balance between mathematical precision and the unpredictability of physical mediums.
Installation View: Archival photograph of Irene Schawinsky's suspended origami sculpture from MoMA's 1944 "Art in Progress" exhibit. This piece is fashioned from a single sheet of paper cut into a doughnut shape, with meticulous folds along concentric circular lines.
